This course introduces the iconic wet-on-dry (layering/veiling) technique, where translucent coloured surfaces are continually overlaid with each other, so that new colours and new surfaces arise out of their meeting. From this colour interplay, forms gradually arise.

This is the preferred technique of any anthroposophic painting training. It is not an easy skill to develop but very satisfying to master. In this course, we use the Assenza approach to introduce the technique and use it to explore colour’s moods and dynamics in free composition.

You can read more about the anthroposophic approach and why we prefer watercolour over acrylics and oils in this short article.

What is the assenza approach ?

Beppe Assenza (1905-1985) was inspired by Rudolf Steiner’s colour theory to work phenomenologically with colours i.e. out of our lived experience of painting them, rather than out of any prescribed theory. The Assenza method is both free and playful and yet methodological in its exploration of the language of colour. it is also a good foundation to classic veil painting.

The Assenza approach focuses on developing creativity as well as painting skills.
A follow-up course Working with the four elements in nature is scheduled for June-July.

June-July 2025

Who is it for?

• For anyone interested in learning the wet-on-dry watercolour technique.
  
• For artists, art therapists and Steiner (Waldorf) teachers who want to deepen their understanding of colour (PD certificates available).

When is it?

3.00 pm-5.00 pm AEDT, Saturdays, 8 March-3 May 2025
Four fortnightly sessions plus video recording

cost

$220 AUD/$145 USD
$230 for PD certificate
Video recordings included in the fee, available for private study.

The payment options, Zoom link, and a list of materials will be sent to you after booking.

For more information

This course also a core component of Art as a Path of Schooling for the Sou.. It follows on from the introductory workshop, Working with Colour, Out of Colour. Together, they provide a sound foundation in the anthroposophic (Steiner) approach to colour and painting.

Feature image: Green Mood: Float, Fiona Campbell 2000